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Drekavac
(Cyrillic: дрекавац, Serbo-Croatian pronunciation: [drɛkaʋats],
literally "the
screamer" or "the
yeller") Nahja Mora often is symbolized by the image to the left -- their artistic interpretation of the drekavac. Nahja Mora, at conception, explored cultural fear between the east and west as an artistic component. The alienation created by tensions between the USSR and the USA left a mark, it seems, on the views of each respective culture... as well as the nations within their sphere of influence. that mark is fear. Nahja Mora still utilizes images from legend of societies, peoples, and cultures that are at odds with one another. Besides the monster to the left from central Europe, Nahja Mora also utilizes images of Rusulka from Eastern Europe. |
| Nahja Mora is typically described by others and themselves as operating within the Industrial Music tradition. To Nahja Mora, "Industrial is in-house design, recording, mixing, product development. It is experimentalism. it is a reflection on societal decay as a result of industrialization and capitalism. it is confrontational. it focuses on dark violent perverse things ignored by religion. It explains why they happen. It is sound of the world coming unglued. It is a conflagration of norms and mores. an examination of the disturbed and disturbing. It is questioning and exposing desensitization."
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 | Live Performance Past and Future10/27/2014: Kunst und Wahnsinn with Worms of the Earth08/31/2015: Kunst und Wahnsinn with Precision Field 11/05/2015: Metro Gallery with Muscle and Marrow and Author & Punisher 12/13/2015: The Depot (Baltimore) with CONSTANTS and Fun Never Starts 07/25/2016: Kunst und Wahnsinn with Fun Never Starts 09/21/2016: Ottobar with THE COCKS (RevCo) 10/15/2016: Batz Over Baltimore with Jihad 04/07/2017: Metro Gallery with Ego Likeness, Technophobia, Stars & The Sea, and Fun Never Starts 06/23/2017: Ottobar with Velvet Acid Christ and Stoneburner 07/30/2017: Ottobar with Author & Punisher and Jeff Carey 10/31/2017: Kunst und Wahnsinn with Fun Never Starts 01/04/2018: Metro Gallery with Sorrowseed and Snakefeast BUY TICKETS 02/01/2019: Metro Gallery with Precision Field, COMPACTOR, and CA8AL |
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Nahja Mora's first press coverage by Baltimore City Paper. |  |
Opium_Hum's review of 2017's The Trees See More |
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Re:Gen's review of 2016's Actualiser |  |
Blue Pan Opticon's review of 2018's As Death [in Japanese] |
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Brutal Resonance's review of 2017's The Trees See More | |
2017 Interview with Josef Saint conducted by Ilker Yücel |
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Re:Gen's review of 2017's The Trees See More | |
Opium_Hum has chosen 2018's As Death as No.24 of their 40 favorite albums of the year. |
Interestsisolation / banishmentexorcism / demonslaying articifical intelligence / creation event horizon / abstraction schizophrenia / make-believe punk / procedure magick / mikkyo self-destruction / actualization alienation / deviance final realization of failure / permanent injury |
InfluencesArnold SchoenbergMentallo & The Fixer COIL Skinny Puppy Battery The Misfits Prick Nine Inch Nails Gridlock Tori Amos |
LinksPrecision
Field (Hobart's primary project)
Fun Never Starts (Jenny's primary project) Loveless Love (Shawn Brice remixed Nahja Mora on Trees See More) I, Parasite (Christopher Jon remixed Nahja Mora on Trees See More) Unter Null (Erica Dunham remixed Nahja Mora on As Death) RevCo (Nahja Mora was honoured to be direct support in 2016) Author & Punisher (Nahja Mora has performed alongside Tristan multiple times) Ego Likeness (Fellow Baltimore natives and friends of Nahja Mora ) Submersible Studios (Eric Oehler has mastered all Nahja Mora releases to date) |